Showing posts with label Stacey Greenberg. Show all posts
Showing posts with label Stacey Greenberg. Show all posts

Tuesday, December 11, 2007

Soil Chart

Soil Chart by Stacey Greenberg
Photo by Maggie Louie


We’ve been camping, we’ve been canoeing, we’ve been to the beach, we’ve been busy! When I said I was going semi-annual, I didn’t think I’d be scrambling to get out a second issue in December! I’m going to blame the giant lag time on moving. But even though I haven’t gotten a zine out since February, it doesn’t mean I haven’t been writing. When I’m not blogging, I’m usually working on a story for the Memphis Flyer, Memphis Parent, Health & Fitness, or Edible Memphis. I’m a regular household name around here! Ha! I even tried my hand at fiction for the annual Memphis Magazine Fiction Contest as you’ll see in the Ruts into Furrows section. (I’m afraid I’m the only one who’s ever going to publish my fiction.)

On the home front we’ve been busy decorating and fixing things up to be nice and cozy. Even though we bought a house that didn’t need any work, we’ve had no trouble coming up with projects, both inside and out. The outside is going to break us I’m afraid. We have two giant gum trees that seem to dump something every season—pollen, gumballs, leaves, seeds, etc. If anyone knows a fun craft or recycling project involving gumballs please let me know!

The monkeys are just as crazy as ever. Just after the last zine went out, Jiro broke his leg jumping off of a fence. Like mother, like son, I suppose. Satchel has thankfully remained intact. Speaking of staying in one piece, I made my return to the roller derby track December 1st—something I wasn’t sure I’d ever be able to do. After almost a year of coaching and practicing, I finally got my nerve up. Now, I’m excited to get back in the action!

With so much going on, it seems something’s gotta give. Sadly, I think it is this zine. Only time will tell. (A zine-making friend of mine once went five years without putting out an issue.) I do plan on doing a “Best of” issue that will be super fat. It will be mailed free to subscribers and should make up for the cost of the outstanding issues left on the subscription. Also you can request back issues to make up for any outstanding issues on your subscription. Just shoot me an email stacey@fertilegroundzine.com.

Thank you for all of your support these last 5 years. It has really meant a lot to me! And remember, even though Fertile Ground may not show up in your mailbox, it is still online: www.fertilegroundzine.blogspot.com.

The Adventures of Nature Boy

The Adventures of Nature Boy by Stacey Greenberg
Photo by Maggie Louie



In Richard Louv’s book, Last Child in the Woods: Saving Our Children From Nature-Deficit Disorder, he defines Nature-Deficit Disorder as the cumulative effect of withdrawing nature from children's experiences. He says that it’s not just individual children, “Families too can show the symptoms -- increased feelings of stress, trouble paying attention, feelings of not being rooted in the world.”

I come from a long line of city girls, but when I married a former forest ranger, and later gave birth to Nature Boy, I found myself spending almost every weekend hiking through the Old Forest trails of Overton Park. Frankly, if it weren’t for these weekly communes with nature, here in Midtown, it’s likely our resident forest ranger would have moved us all to Alaska long ago. The Forest Ranger and I are doing our best to combat NDD in our own lives.

On our most recent hike, we were specifically on a hunt for lizards. Nature Boy, now age 5, needed a lizard. Bug box in hand, we set off down one of our favorite trails that opens up near the playground on East Parkway. As we made our way down the path, The Forest Ranger started off with his usual, “Remember when a bee stung you?” speech, reminding us of the time that I ran from a bee that eventually stung Nature Boy on the ear.

“I’m completely over my fear of bees now—I’m in search of lizards!” I say. Before we can even really start looking for a lizard, Nature Boy has found a centipede and The Forest Ranger, who is now working as an Archaeologist, has found a small glass bottle dated 1927. Geronimo, my three-year-old, and I assist with the bug box and “ooh and aah” accordingly.

A few steps later and we have a millipede! The Forest Ranger laughs as we try to get it in the bug box which is full of holes small enough for it to easily climb through. I’m totally over bees, yes, but I’m not so sure about this millipede. “It stings,” The Forest Ranger says coolly. We decide to let the millipede stay put.
Some new trees have fallen since we last visited and the boys waste no time climbing along them to check out the view. Geronimo spots some low hanging vines ahead, and they are quickly off to play Tarzan. (If the vines are hanging just right, The Forest Ranger and I get to play Tarzan, too.)

We pass through to the road running near Rainbow Lake and turn right to circle back towards the Red Playground. Not two seconds later Nature Boy has spotted his lizard.
“Look, Daddy!” he says as he points to a tree trunk.

“Don’t grab it by the tail,” The Forest Ranger warns.

“Why not?” Nature Boy asks.

“Because it will fall off and the lizard will get away.”

“Okay,” he says seriously and expertly grabs the lizard around the middle. “Mommy, I need the bug box!” he exclaims.

I rush over with Geronimo at my side and we both congratulate Nature Boy on his successful capture. He is gleeful. “I did it! I caught a lizard! I’m going to catch flies at home to feed him,” he says happily.

Yes, Nature Boy can catch flies with his bare hands.

“But what will we name him?” I ask.

“Lizzie,” says Nature Boy.

He imagines that Lizzie will live a long, happy life in a box next to Hermie and Crabby, two hermit crabs that we bought at the beach “gift shop” in July. (In truth, we will let Lizzie go the next day.)

Energized by the find, Geronimo is off to the Red Playground and Nature Boy is at his side. The Forest Ranger and I water the dogs and smile big at each other. The Old Forest is our sanctuary.

One Time, At Rock-n-Roll Camp…

One Time, At Rock-n-Roll Camp…
Stacey Greenberg



Inspired by the Rock 'n' Roll Camp for Girls in Portland, Oregon, the Southern Girls Rock & Roll Camp (SGRRC) was founded by Kelley Anderson in Murfreesboro, TN in 2003 to encourage more young women to become involved in music. The weeklong camp centers on each girl joining a band composed of fellow campers, then writing and rehearsing a song to play at a showcase for parents and friends on the last day. The camp also features live performances and panel discussions with local musicians and workshops.

Last summer, SGRRC expanded to Memphis. Through the magic of the internet, Kelley asked me to teach the zine-making workshop. Since the camp was being held right across the street from my office, I replied with an enthusiastic yes.

I have to admit that I was pretty nervous the first day, not knowing what to expect. Little boys—no problem. Girls ages 10-17—no clue. I ended up with four really sweet and talented girls and an awesome assistant, Jessi, who is a former camper.

Monday we just sat around and got to know each other and talked about what a zine is. We had a whole stack of sample zines to check out, and I gave everyone a copy of Fertile Ground. Then I tried to explain why a mom might want to make a zine without mentioning words like homebirth, breastfeeding, or circumcision that might freak them out. Luckily, the latest issue was the Memphis issue, and I was able to convince them I was semi-cool with the details of breaking my leg in two places in the roller derby.

Tuesday we busted out the box of art supplies and started making collages. Everyone was a little more relaxed and we had fun discussing what we wanted to put in the zine. I also talked to Chuck, the photography teacher, about getting some pictures of the bands that the girls were forming for the zine.

Wednesday I was a bit panicked about not having any content, so I asked the girls to do some writing before we busted out the art supplies. I talked to Kelley to see if she could get the band names, members names, bios, and lyrics for me to include. No small task! No one could come up with a name for the zine so I shyly asked my group of budding hipsters in Ramones and Go-Go’s shirts if they had ever seen the movie “American Pie.” They nodded. “Remember how that girl was saying, 'One time at band camp'?" They nodded. "Want to call it that?" They looked around at each other and giggled in approval.

"Maybe we could cross out the word 'band' and replace it with 'rock-n-roll'," Halle suggested.

"Yeah, we could cross it out with red lipstick!" Allie said.

Hoping to have a stapling party Friday, I told the girls they'd have to work on a few things at home so we could get everything laid out on Thursday. At lunch it occurred to me that everything we were doing was in color and that when I gave the girls free reign to pick out the style of zine they wanted to do, I never asked Kelley what our budget was for printing!

Thursday I came in to find all of the volunteers looking very sleepy and hungover. Kelley, Jessi, and Nikki are in an old time country band called Those Darlins and they played at Murphy's Wednesday night. Chuck had stayed up late too. But it wasn't too bad--Kelley had most of the band info and Chuck had all of the pictures I needed on his computer. Once we got all of the band info together--there were eight total--we suddenly had lots and lots of content for the zine. And best of all, Halle made an amazing cover collage.

We ran out of time, so Jessi and I ate a quick lunch and then finished the layout ourselves. Even though she is totally laid back and awesome, she agreed with me that we needed a table of contents and page numbers. I was very worried about coming off as totally anal!!

Friday when I showed up for class, long-armed stapler in hand, I found out that the zine was still at the printer's. So much for the stapling party! Jessi had the great idea of making little envelopes and putting fortunes into them to wedge between the staples of the final zine. We had a great time doing this--especially me, the old dog learning a new trick.

I left after lunch with a promise of a phone call by Anna, the director, as soon as the zine was printed. I planned to rush over and get it stapled before graduation later that evening. At about 4:45pm I got a text message that said, "They are all here, they are stapled, and they are all in color!"

On Saturday at the Showcase, Kelley, the founder, actually said to me, "I got a chance to sit down and read the zine last night and it is the best one we've ever had."

As awesome as the zine was, the real highlight of the camp was the Showcase at the end of the week. Inside the Gibson Guitar Factory, the lights were low, the room was packed with parents and friends, and you could feel the buzz in the air. There was no actual backstage, so campers were milling about all dolled up and you could tell that they were PUMPED. And NERVOUS as hell.

First up was Squirrel vs. Ferret who sang an original song called "Frozen Sorrows." Two of my zinesters were on guitar and the lead singer had a great smile on her face the whole time she was up there. I seriously got goosebumps and almost started balling!

The Country Gals featured a zinester on guitar. EVERYONE had been talking about The Country Gals all week. They were the youngest band--each girl is about ten--and they wrote a song called "Daddy Buy Me a Dancing Horse." They all made shirts with horses on them and the girl on vocals, Kierstan, came out in pigtails and said, "Daddy, come here!" before she started the song. She hopped up and down the whole time she sang. At one point she stopped and took three or four big breaths. It was so damn cute it hurt.

Loveless was next, featuring a zinester on keyboards. Their song, "Broken Prince Charming," was great and the lead singer had a really unique voice. Her mom was jumping up and down in the audience screaming, "That's my daughter! That's my daughter!" It was hilarious. I can't wait to do that to Satchel and/or Jiro someday.

Forgotten Blue featured the daughter of some good friends of mine who just happened to be standing next to me. I went back and forth from watching Flannery to watching her mom and tried to imagine the feeling. Flannery looked so grown up and cool. I had seen her throughout the week and did my best to be friendly without embarrassing her.

Jessi's band, the Klassix, did an original song in the style of the Sherrell's. I was really glad that my friend Hope was with me since we went to high school and girl scout camp together. We both just looked at each other, shook our heads, and wondered what our lives would have been like had we had Rock-n-Roll camp!

Ravad 74 ended the show with their very catchy and very well done original song "Unsinkable." (When I'm not singing "Daddy daddy buy me a dancing horse," I'm singing "I'm unsinkable/No one can bring me down/I'm unsinkable/I don't want you around.") Now, these girls really knew how to rock. Granted they were the oldest girls and one of the members, Audra Brown, already has an album out, but damn. If they don't become rock stars, I have no doubt they will at least join the roller derby!

It was a really awesome show and an amazing experience overall. You really just had to be there. I'm so excited about the future of SGRRC and cannot wait until next year. I've got to find a way to take the whole week off so I won't have to miss a minute!

Meet Colleen Couch-Smith

Meet Colleen Couch-Smith
Interview by Stacey Greenberg


Colleen Couch-Smith, 30, is an artist, restaurateur, mother of three (Brendan-13, Ian-5, and Ayden-2), and newest member of Memphis Roller Derby’s Legion of Zoom. I was really excited to meet her and thought you might be too.

Stacey Greenberg: How long have you been a mama?
Colleen Couch-Smith:
I've been a mama for almost 13 years. I had Brendan when I was still in high school. I went to Hernando High in Mississippi. It was a total drag. I had Brendan when I was a senior. Teen moms are real common down there, but I was determined to incorporate my child into my life rather than change my course completely. It was the best thing that ever happened to me.

When Ben and I got married, we knew we wanted another kid but wanted to wait until things settled down at the restaurant. Well you just can't wait for stuff like that because IT WILL NEVER HAPPEN! We tried for a whole summer to make a baby. It wasn't until sometime around 9/11 that I got pregnant. All that staying at home watching the news did the trick I guess. After Ian turned into a toddler, I swore I'd never have another child. I finally started to regain my composure as a person. I sent Ian to Montessori school, joined a gym, and was in full swing with Rock, Paper, Scissors. I was really making an effort to become Colleen. Not "Ben's wife" or "Ian & Brendan's mom."

I was feeling incredibly sick and thought it was just unease about the life changes I was making. Then it dawned on me that I might be pregnant. Ben had recently been to the Burning Man festival and I swear he did some sort of sex voodoo while there. Let's just say I was extremely happy to see him when he got back. I can't say that I was happy about the pregnancy at first. It was a horrible time for me to be pregnant. But, I settled into it and ended up seeing a midwife instead of my OB. Brendan's birth was awesome only because I was ignorant about the process. Ian's birth was not a good experience and I knew I would not repeat it.

Ayden's birth was one of the most incredible and happy moments of my life. How is that? She weighed 10 fucking pounds...no drugs. Luckily it was only a 3 hour labor with about 15 minutes of pushing.

SG: Tell me about your work life.
CCS:
I’m a bookkeeper at Tsunami, where my husband is the owner/chef. Every day is "Bring Your Kid to Work Day," which is a blessing and a curse. It's great to have them that close. They have amazing relationships with adults and they learn a little bit about being an entrepreneur. On the other hand, it sucks to have to have them that close. What normally takes me 15 minutes will take at least an hour when they are there. I handle a lot of calls for reservations during the day and often have to reassure the guest that the screaming kid in the background will not be here when they come to dinner.

SG: How did you get into illuminated sculpture?
CCS:
I got into illuminated sculpture a little by accident. I had loads of papermaking experience in art school. Allison Smith (who eventually became my sister-in-law) was my papermaking teacher at MCA. I majored in sculpture but papermaking became my true love, and through Allison's inspiration I found ways to use paper in sculpture. She made the large hanging lanterns at Tsunami and after a few years of staring at those lights I knew that I could do something like that myself. I've always wanted to return to doing my art.

We opened Tsunami while I was still at MCA. Once I graduated I was working at the restaurant so much I had no time for anything but restaurant work. Poor Brendan! He spent most of his childhood evenings cooped up in the office, climbing on top of the walk-in cooler, getting into the bleach water...I should stop in case Child Services gets a hold of this! Anyway, I made a couple of attempts to "do my own thing" and it just never panned out.

Then Kelly Myers (a.k.a. Kel Diabla, also a derby girl) and I became friends! She was on a similar path of self-discovery, and one night (over several drinks) we decided to start Rock, Paper, Scissors together. It's been a blast ever since. We both needed the kick-in-the-pants that only a partnership can provide. We feed off each other's ideas and work.

Recently I got an offer to apply for "That's Clever" (a show on HGTV about quirky artists). It would have been a great opportunity but they do not accept art duos. Needless to say I didn't respond...my work would be nothing without Kelly!
The other big event that lead to this was a generous gift from my father-in-law, Dolph Smith. Dolph started the papermaking program at MCA and once he retired he moved up to Ripley, TN. He had a full papermaking set-up in his studio. I would often make paper when we would visit. For one of my birthdays he gave a card saying that he would let me keep the papermaking equipment at my studio and he would come to me if he needed to make some. I think it took me six weeks to stop crying about this! Somehow we got it all down here. The beater (the machine that turns materials into pulp) is huge, heavy and damn hard to move. My studio is split. I have one in my garage and Kelly & I share a studio at my brother's garage. He'll probably kick us out sooner or later. We're slobs and he's not.

SG: So tell me a little bit about life in Hernando and what it was like being a teen-aged mom.
CCS:
Life in Hernando was boring unless you were the preppy jock-type. I spent most of my weekends in Memphis at Overton Park or the Antenna Club. When I got pregnant I was worried about how much it would change my life. But I faced it head-on and made it a part of the life I was already starting for myself. I was encouraged to drop out of school but saw no reason to. I stayed at the top of my class, kept up with the extra curriculars and headed to art school. Luckily MY family was supportive, otherwise I could not have done it. Brendan's dad was never into it and I saw no reason to force him to. It was his loss and we were better off without him.

SG: How is parenting different (or the same) the third time around?
CCS:
Parenting the third time around is definitely different for me because I have a girl. A headstrong assertive one at that! I get more and more careless, which is scary. Maybe inattentive is a better word. It's difficult trying to manage all three, but Brendan is my salvation. He can help with just about anything and is almost old enough to keep Ayden so that I can go to the store or something. He's awesome. Ian just keeps me laughing, and all he has to do is smile and it turns my day into a happy, sunny one.

SG: What's a "usual day" like for you?
CCS:
I don't have any usual days. I make my own schedule at work so I can go in whenever it’s convenient for Ben to keep Ayden. Typically I take Brendan to school at 7-ish and then try to go to the gym for rowing or weights. Then I tag team with Ben. He takes Ian to school around 8:30 and then tries to go to the gym. I usually head to work around 9:30 or 10 and Ben will take Ayden when he's done at the gym. Sometimes we meet up for lunch. It sucks going out with Ayden so we usually skip it or get take-out. I plug away at work until it's time to get Ian (Brendan walks home from school and has the afternoon to himself...something every boy should have while going through puberty). I grab Ian and then run errands for the restaurant. I don't get home until 6 or so on good days. Then it’s dinner-homework-bath-bed. It never fails that just when the kids are settled and getting droopy-eyed that Ben comes home! Of course they bolt out of bed to play with him for a "while."

Sometimes I try to herd them back to bed but mostly I just give up and let Ben deal with it. I'm just a bitch that way. It's just one giant juggling act. Somehow, some way I make art. Most of my best work gets done at three in the morning when I can't sleep. Now that I've thrown Derby into the mix, I'm not sure which ball will get dropped first...

SG: Tell me more about combining parenting with being an artist. Do you involve your kids in the process or do anything particularly arty with them?
CCS:
My kids are very self-sufficient. Most of the time they are doing their own things. I rarely have to set them up with a project or something to occupy them. Brendan makes his own art. He makes these amazing sculptures and carves his own wands and swords. He is drawing these really unusual flowers at the moment. If he is around when I make paper, he will help me form sheets, press them and store them in plastic wrap. Seems like last Cooper-Young Fest he helped Kelly and I paint some of the finished lanterns and lamp shades.

Ian is interested in painting right now. He typically just likes to roam around the studio when I'm working. If I'm in my studio at my brother's house, the kids will run around with the dog through the bamboo forest in the back yard. It's really nice over there, as long as the weather is nice and the mosquito population is down.

Ayden's not quite there yet. She likes to "draw" on things but doesn't have enough self-control to be let loose with paint or crayons. I usually get a babysitter during studio time if Ben can't watch her.

I don't necessarily lead them towards art but let it happen if they are interested. Ben and I want our kids to figure out their own paths...so long as that path does NOT lead to cooking or being an artist!!! I love to go out to art openings when I can to sort of reconnect with that world. I'm secretly hoping to run into someone who has the perfect art job opening. I do like to take the kids out to these events. It's great when they are into the work. The "Agents of Timbre" show was a HUGE hit for them and they were well-behaved. Other shows really push their limits...and therefore mine. I often have to leave, holding a screaming little girl and dragging a five-year-old who's trying to punch his older brother. It stresses me out but it's nothing that a hot bath, a huge glass of scotch and a "Wiggle's" marathon won't cure.

SG: Are you serious about not wanting them to be chefs or artists?
CCS:
We aren't "serious" about it. Of course we want them to bloom into whatever career they chose. We just would hate for them to go through the hard times we have. Doing "your own thing" is challenging and at times heartbreaking. It's parental nature to want to protect your children as much as possible. Chefs get burned and/or cut at least once a week, they get insulted by grumpy food critics, they get complaints from customers, they work at a very fast pace under extreme temperatures. It tears me up to watch Ben go through it. I couldn't bear to see my children follow his footsteps. The art world is not anywhere near as bad as the restaurant world, but it has its ups and downs too.

Small Packages

FICTION: Small Packages by Stacey Greenberg
Photo by Melissa Anderson Sweazy


Catherine was barely pregnant with her third child and hadn’t told her husband Tim yet. The pregnancy was unplanned, and although she was sure he’d be thrilled for number three, she was having trouble saying anything out loud.

After having Phillip and James in close succession, it had taken her over six years to lose her “baby weight” and regain her personal identity. She wasn’t really sure if she could do either again. What if it’s a girl? Where will she sleep? Catherine thought as she rinsed the dishes and loaded them into the dishwasher. They had just moved into a two bedroom house on the east side of Overton Park. Two bedrooms!
Right now, Tim was in the backyard weeding his enormous garden and the boys were alternately riding their bikes and skateboards on the parking pad in back. The phone was ringing and although Catherine generally screened calls to the home number (her friends called her cell), she happened to be standing right next to the receiver.

“Hello?” she barked, assuming it was a telemarketer. Tim hadn’t had a chance to re-register them on the “Do Not Call” list.

“Can I speak to Catherine?” A sexy male voice asked. Catherine hated it when they tried to trick her by only using her first name and sounding extra nice. “This is Catherine,” she said.

“Hi, uh, did you ever live at 1009 Central?” the sexy voice asked.

“Yes,” she answered not knowing where this was leading. “In college.”

“I live there now and today I received a package with your name on it.”

“Really? How strange,” she said.

“It’s from Carnival Country,” he said.

Catherine hesitated to admit that she ordered from them often. She couldn’t understand how the package had gone to a house she lived in so long ago. It would make more sense for it to have accidentally gone to the house she and Tim just moved out of. Then she laughed a little to herself realizing that she had lived in three different houses all within a mile or two of each other for most of her adult life. Had she not spent two years abroad after graduating from college, she might think of herself as boring.

“I’m leaving for my yoga class in a few minutes. I can come by and get it,” she said suddenly feeling quite forward. She quickly added, “You can just leave it on the porch if you want.”

“Sure, no problem,” the sexy voice said warmly and hung up.

Inexplicably, Catherine felt a rush. How nice of him, she thought. He must have looked her up in the phone book or called information. She tried to think of what she would do in a similar situation. She’d probably just cross out the name, send it back, and never give it a second thought. Or, more likely, the kids would get a hold of it and they’d end up keeping whatever was inside by default.

Catherine quickly changed into her yoga pants and matching tank. She brushed her silver streaked hair, checked her teeth in the mirror, and sprayed herself with Vanilla Mist. Tuesday was her day. She did yoga and then went out for late night sushi with some of the women in her class. (They had a very innocent, yet fulfilling, flirtation going on with one of the waiters.) If it weren’t for Tuesdays, Catherine might lose her mind.

Soon I’ll have to switch to pre-natal yoga and non-alcoholic beer, she thought as she opened the back door. But I’m not giving up raw tuna. “Honey, I’m going to yoga,” she called out to Tim. “I’m taking your car.”

“Okay,” he said as he gently unwound bindweed from the Roma tomato plants. “See you later.”

“Be good,” she called out to Phillip and James. They came running over for hugs.

“I’ll see you in the morning,” she said as she kissed them. The best part of Tuesday Night Out was getting to come home after the boys were already sound asleep.

Catherine had never been able to say no to their pleas for “one more book” or “a few more snuggles.” It was often past ten o’clock before she got any time to herself. She pushed thoughts of a new baby permanently attached to her breast out of her mind and headed towards the car.

Her old house on Central looked very palatial from the outside, but inside it was broken up into several different apartments in varying stages of disrepair. She shuddered to think of all the damage she personally caused.

In college, Catherine and her roommate Robin had befriended most of their fellow residents and thrown wild parties on a regular basis. It wasn’t uncommon to see people sleeping on the porch or to find random pieces of broken furniture in the front yard. Catherine and Robin had become popular after a party highlighted by Catherine sitting naked on the hood of Robin’s Civic while she drove around the block honking.

Was that really fifteen years ago? Catherine marveled. Sometimes when driving the boys home from school, Catherine would point at the big house and say, “That’s where Mommy used to live before she met Daddy.” Even though she just lived a few blocks away now it was like living in a whole other world.

Catherine was surprised to see that there were no chairs on the porch, as that was where she and Robin spent the majority of their time. Looking around it didn’t seem like there was much furniture in any of the apartments—just a lot of wood scraps and other debris. She peeked through the window to find that most of the rooms had been gutted. There was no package in sight.

She took a deep breath and gently knocked on the door. She heard footsteps and then felt a blast of cold air as the screen door flew open.

“Catherine?” A man in paint-splattered Carhartts and a moist white t-shirt asked. He had a level in one hand and a small, cardboard box in the other.

She smiled and nodded.

“I’m Richard. Here’s your package,” he said as he held it out to her. He had bright blue eyes and dark hair. Despite his obvious prowess, his scruffy beard and wire-rimmed glasses made him seem more bookish than burly. His voice definitely wasn’t the only thing sexy about him.

“Thank you,” she said, staring. “Most people wouldn’t have bothered tracking me down.”

He gave her a good once over and said, “You weren’t very hard to find.”
Catherine turned her head so he wouldn’t see her already rosy cheeks ignite. “So, are you fixing this place up?’ she asked.

“I guess you could say that,” he said modestly.

“To live in or sell?” she asked eagerly. Am I flirting?

“Both—I’ll live here until I can sell it.”

“Wait, do I know you?” she asked, suddenly feeling like she had seen those blue eyes before.

“Maybe,” he said playfully.

Now she was embarrassed. She had a terrible memory for names and had forgotten many acquaintances after learning a new language and culture in Prague. It was like her brain ran out of room. Several years of baby-induced sleep deprivation didn’t help.

“Did we go to school together?” she asked.

“Sort of,” he grinned.

Nice teeth.

Hot and bothered, she said, “Dammit, who are you?”

“I told you, my name is Richard.”

“And…” she prodded.

“I used to hang out with a guy who dated Robin for awhile.”

Catherine wracked her brain. Robin had a lot of boyfriends. “Bill?” “Bingo,” he said.

She stared at him some more and tried to picture him without the beard. “Oh my god, you are the Egg Man!” Catherine now clearly remembered sitting on the kitchen floor doing Tequila shots with Robin, Bill, Richard and some other faceless people. They took turns microwaving eggs until they exploded. “You were fun.” I wonder why we never hooked up, she thought.

Richard reached up and grabbed the door frame to stretch his long arms. Just under his t-shirt sleeve Catherine could see some small tattoos in a row—a heart, a spade, a diamond, and a clover. He saw her staring, and said, “Those are tricks up my sleeve.”

Coming from a long line of bridge players, she laughed and said, “I really like that.”

“Mind if I ask what’s in the package?” Richard asked, grinning.

She looked down and examined the box. “It’s a marshmallow gun,” she blurted out, not feeling embarrassed at all.

“Really?” he asked, curious.

“I bought it for my kids,” she said.

“Kids?” he asked.

“Yep, I have two.”

He looked impressed. “And a husband?”

“Yep, but just one,” she said.

“Anyone I know?” he asked.

“Actually no,” she said. “Tim’s from Oregon. We met in Prague.”

“And you convinced him to move to Memphis?”

“Can you believe that?” she smiled.

“Actually, I can,” he said.

Is he flirting back?

They stood looking at each other for a minute, not quite sure where to go from there. Catherine was torn between thanking Richard, racing to her yoga class, and giggling over drinks with the girls and inviting herself in.

“You know what? I’ve got some marshmallows,” Richard said finally.

“Oh you do, huh?” she smiled, secretly thrilled at this turn of events. Steadying herself against the railing, she asked, “Do you have any beer?”

“Yep,” he grinned.

Feeling like the Catherine who used to live in that big house, she said, “Get the marshmallows and the beer and follow me.” As she climbed into Tim’s Jetta she knew she could never have pulled this off in her minivan.

***

By the time Catherine cruised into Martyr’s Park she was starting to lose her nerve. “Let’s go sit on the bluffs and watch the barges go by,” she said.

“Let’s climb on the bridge and pelt a train with marshmallows,” Richard replied.

She looked up at the bridge. Robin had convinced her to climb it a few times, but it always scared her. She took a deep breath and said, “Okay.”

Catherine tried to appear confident as they approached the chain link fence, but her eyes gave her away. Having one last beer with the Egg Man seemed innocent and fun. Scaling a chain link fence in order to dangle on an old bridge above the Mississippi seemed foolish, if not downright dangerous.

Richard held out his hand, “Come on, it’ll be fun.”

She looked at his strong arms and imagined them around her waist.

“Don’t worry,” he said, still holding out his hand. “I won’t let anything happen to you.”

Catherine took his hand and was pleasantly surprised by how easy it was to get over the fence. She ran towards the beams, exhilarated.

They walked over to a spot on the narrow pedestrian path on the side of the tracks. Catherine sat down cross-legged and started opening the Carnival Country box while Richard cracked open a couple of Newcastles.

“Here, see if you can figure this out,” she said, handing him the red and blue plastic gun.

He handed her a beer in exchange. “Cheers,” he said with a smile.

“Cheers,” she said, clinking his bottle with hers.

While Richard fiddled with the gun, trying to get it loaded with marshmallows, Catherine started interviewing him.

“So, why aren’t you married?”

He laughed. “I am…for a few more days anyway.”

“Oh, I’m sorry,” she said, mortified.

“Don’t be. I’m not,” he said.

“What do you mean? What happened?”

“Let’s just say that I’d much rather be fixing up that old house on Central than trying to put my sham of a marriage back together.”

Catherine suddenly felt very self-conscious. “Look, the train!” she said, now happy to see it coming. “You got that thing loaded yet?” she asked.

Richard nodded, and quickly demonstrated how to pull back the lever and shoot the marshmallows. Catherine took the gun, one hand on the front grip and one hand on the back, and assumed some kind of Rambo stance. When the train came by she started shooting marshmallows in a rapid fire succession.

“Oh no, I’m out of ammo!” she yelled over the sound of the wheels a few seconds later.

Richard grabbed the gun and the marshmallows and quickly reloaded the magazine. He tried to hand the gun back to her, but she screamed, “You try it!” He held the gun up to his shoulder like a rifle and methodically shot a marshmallow in the center of each passing car.

Catherine watched him until he ran out of ammo, then motioned for him to grab the backpack and follow her. The sun hadn’t set all the way but the wind was starting to pick up. Richard walked up next to Catherine and pulled her close to him. The train was making too much noise for them to talk so they just kept walking.

When the train passed, Catherine gave Richard a squeeze and said, “I think I need another beer.” Richard obliged. They stopped walking and sat down near the railing. They swung their feet over the edge, still embracing. Catherine watched the water rushing by.

“You’re even prettier now than you were in school,” Richard said.

Catherine wasn’t good at taking compliments—at least not on her looks. She decided to believe that Richard really meant what he said. She swallowed her beer fast and felt her head spin a little. “You’re not so bad yourself,” she said, looking up at him.

Richard slipped his hand in her shirt and his tongue in her mouth. Richard’s mouth was soft on hers. His tongue touched the inside of her cheek, then he took the edge of her lip between his teeth. Catherine was breathing fast, leaning into him. She felt Richard’s hand slip inside the cup of her bra; he rolled her nipple gently between his thumb and finger. Catherine made a small, low noise.

“Relax,” Richard whispered and she realized she had been gripping his forearm very tightly, her eyes squeezed closed. She opened them a little, the world coming slightly back into focus.

She was on her back looking up at the edge of the “Welcome to Arkansas, Home of President Bill Clinton” sign hanging above the bridge. I’ve definitely crossed a line.

Catherine thought of the time when Phillip was learning the states in school and very patiently tried to teach them to James. He had his own way of talking and pronounced Arkansas as “arky-saw.” Tennessee was “tennis seat.” The boys would love it up here. Not that I’d let those wild monkeys anywhere near here! she thought. Maybe I should bring Tim...

Richard was kissing her neck now, and it felt good. Even so, Catherine gently pushed him off of her and kissed him on the cheek. She ran her fingers through his hair like she might run them through one of her son’s and smiled.

Richard smiled back as he felt the wind change direction.

“I’m sorry,” Catherine said. “I had the strongest urge to run as far away from my family as I could today, but now they are all I can think about.”

He reached for another beer, and handed her one too. “It’s okay,” he said. “I think I know what you mean.”

“You do?”

“Yeah,” he said, sighing.

“It was fun seeing you again,” she said, hoping to save some face.

“You too. I bet you are a fun mom,” he said graciously.

I am. She looked at the full beer in her hand and remembered what sent her reeling in the first place. “I’m pregnant,” she said, happily, and a little louder than she expected.

Richard looked at her, then at her stomach, and said with a laugh, “Well, that was fast!”

She grinned, thankful that he was being a good sport.

“Let’s get you home,” he said.

***

Catherine had pretty much decided to erase Richard from her mind. She felt a little embarrassed, not to mention guilty, about their encounter and preferred to pretend that it had never happened. She was sure that he thought she was a total tease. Or prude. Or worse.

Friday, when she came home from work, Catherine was somewhat startled when Tim asked, “Who’s Richard Webb?”

She could feel her face go white. “What? Who?” she asked, confused.

“A Carnival Country package came with Richard Webb’s name and our address.”

“Oh,” she said, exhaling. “That’s weird.”

Catherine walked over to the package to see for herself. Was it just a bizarre coincidence? Did Richard want her to look him up? Was someone at Carnival Country playing a trick on her?

“Maybe he used to live here or something. I’ll send it back on Monday,” she said to Tim, who didn’t seem too concerned about the fate of the package.

Catherine couldn’t sleep at all that night. Maybe she would drop the package off at Richard’s house tomorrow—tempt fate: if he was there she’d go inside, kiss him one last time; if he wasn’t home, she’d just leave the package by the door, try to forget about all of it.

When Phillip and James came running in to her room on Saturday morning, she was too tired to get up. “Go turn on one of your shows,” she pleaded with them as she buried her head under her pillow. She and Tim still hadn’t found a curtain for the window over their bed.

Catherine tried to go back to sleep, but Phillip and James’ rumblings kept her awake. She liked to try and imagine what all the noises were. Clearly they had turned on the television and found an episode of “Ben 10” that she DVRed for them. She was pretty sure one of them was attempting to get cereal. When she heard Phillip say “Get the scissors!” to James, she was mildly alarmed. She hoped they wouldn’t cut up anything too important. As she tried to visualize all the things piled on the entry table, she heard the distinct sound of bubble wrap being jumped on. The package!

Catherine bolted out of bed and ran into the living room. She tried to sound stern when she said, “Phillip! James! What are you doing? That’s not ours,” but she was secretly glad to have a reason to look inside the box.

“Look, Mommy!” Phillip said as he held up a pair of goggles. “Bug eyes!”

“Cool!” said James as he dug into the box and pulled out another pair.

“There’s lots of them!” Phillip exclaimed. “Daddy! Come look!”

Tim came padding in to see what all the excitement was about. James had his goggles on and said, “Look, Daddy! I’m a bug!”

“Me too!” said Phillip, now wearing his goggles.

“Everything is multiplied!” James said.

Catherine loved that her five-year-old just said the word multiplied. She put on her glasses and said, “Look, I’m a bug too!”

Tim was laughing now. “Do I get a pair?”

Phillip handed him a pair and they all stood in the kitchen giggling. “Bugs have compound eyes,” Tim said. “They have hundreds of little corneas. Each one provides the bug’s brain with one picture element.”

“Cool,” James said.

“I have a great idea,” said Phillip. “Let’s get dressed and walk over to the trails and wear our bug glasses!”

Overton Park was the main reason they never moved more than a mile away. Every Saturday and Sunday for as long as she could remember, she and Tim had packed up the dogs, and later the kids, to hike along the old forest trails. Spring, summer, fall and winter. Rain or shine. It was their sanctuary.

James picked up the box and turned it upside down to make sure he wasn’t missing anything. A fifth pair of goggles fell out. “Look! Another pair!” he exclaimed.

Phillip picked them up and asked, “Who’s going to wear these?”

Catherine put her hand on her stomach and looked at Tim. He raised his eyebrow and mouthed, “Are you serious?” Catherine blushed. Then she looked at Phillip and James, said “I bet I can get dressed the fastest!” and raced towards her bedroom in her bug goggles.

Saturday, March 10, 2007

Soil Chart

Soil Chart
Stacey Greenberg



Despite claiming that I was going to only do the zine every six months in the last issue, I had really planned to have #15 out by December 15th. Then I broke my leg in two places in my inaugural roller derby bout on December 9th and had to have surgery. But thanks to the miracle of modern medicine, I am almost fully recovered. Read my “Diary of an Injury” on page 36. It doesn’t have all that much to do with parenting, but these days I get as many inquiries about roller derby as I do about my monkeys. (Who, by the way, were extremely sweet while I was injured and unable to do much of anything.)

I am happy to bring to you issue #15, the Memphis issue! For the first time ever, all of the contributors are either from or living in Memphis. This is by no means a comprehensive look at our fine city, but I think it gives a taste of what life is like here. As much as I love shipping this zine off to mamas across the country (and on occasion across the globe), one of my goals in starting this zine was to help build a community of like-minded parents in my very own backyard. After almost five years of parenting, I feel very blessed (as we say in Memphis) to know so many awesome parents. Not only do I know them, I get to see them almost everyday—at school, at the grocery store, at the playground, at my house, etc.
Speaking of…we’re moving! Please note the new address on the back and send all of your packing and organizing tips my way! I plan to have #16 out in a few months. In the meantime visit www.fertilegroundzine.blogspot.com.

Meet Kate Crowder

Meet Kate Crowder by Stacey Greenberg
Photo by Kellen Kjera



At 9:00pm on a Friday, I was busy trying to get my monkeys (Satchel, age 4 and Jiro, age 2) in bed so I could sneak out and interview Kate Crowder, the lead singer of my new favorite band, Two Way Radio (formerly known as Walkie Talkie and briefly as Side Walk Talk). At 9:25pm, I said goodbye to my husband and drove down the street to a local bar where Kate said she’d be hanging out until their 11:00pm show time. As I nervously walked into the nearly empty bar, I saw Kate and she said, “Let’s get a beer.”

“So,” I said in my official reporter’s voice, “Tell me how you got started singing.”

Kate: I’ve been singing with my dad (and my little sisters) for as long as I can remember. When I was twelve people decided that I needed voice lessons like I was going to evolve into this really talented opera singer—but that never happened. I'm lucky for the training though, because the classical foundation ended up paying for my college by way of choral and musical theater scholarships.

Stacey: How did you and (your husband/bandmate) Corey meet?
Kate:
I had a boyfriend for a really long time and Corey dated his sister. We both went on a lot of family vacations with them where they would leave us out of what was going on. So we would be left talking and it was awkward for both of us. We all broke up around the same time. Then I ran into him a year later with Andrew (McColgin who plays guitar in the band) and the three of us started hanging out, but there was nothing romantic going on between any of us. I lived in Midtown by myself and I got robbed—like everything I owned. My dad wanted me to move to Collierville, but he and Corey made some arcane deal and I ended up moving in with Corey and Andrew. Eventually I told Andrew that I had a crush on Corey and he said, “I think he might have a crush on you too.” So we started dating seriously within a week and eight months later we were married—and still living with Andrew!

Stacey: So you started the band while you were all living together?
Kate:
Corey and Andrew already had a “band,” but the band had no name and no songs. The songs consisted of two notes that went on for ten to twenty minutes. Even though I’m not this great musician, I was like, “We need to establish some structure here. You know, like a song should be verse, chorus, verse, chorus, bridge…and under three minutes and fifty seconds.” Me joining the band definitely made it more of a band and less of a jamming session. Then we strategically tried to get Joey (Pegram, the band’s drummer) to come over and play with us by offering him free food. It was like, “Andrew, make some hot wings and call Joey!” We didn’t know if he’d want to play with us since none of us had been in a band before and he had been in several. The bass player from the Grifters would come over too and we’d all get nervous. My hands would shake when I played piano.

Stacey: I read in the Memphis Flyer that you got a book and taught yourself to play piano. Is that right?
Kate:
I realized I was spending too much time thinking about what other musicians should be doing with their bands or songwriting so I went to the library and checked out a bunch of musical theater scores (for the piano) since I was familiar with how they were supposed to sound, and practiced the heck out of them for a few months.

Stacey: And you do most of the song writing?
Kate:
Corey talked me into using some of the songs I had written. On our first album, Residential Llama, I did about 80% and Andrew did about 20%. Corey and Joey each have one song. A lot of times Corey will say, “Your lyrics are awful,” and change them. He’s definitely the poet of the two of us. I’m a little too narrative and literal. Most of the songs are about things I go through at work or other things that really happened. On our next album, the song writing will be much more evenly distributed between all five of us.

Stacey: So you’re pretty young—25—when did you get married and start your family?
Kate:
Between being 21 and 22 I got married, graduated from college, had a baby that summer, got my first job, and bought a house. So I was 18 one minute and then I was 35. I was like, “Wait a minute, how did all that happen?” It happened really fast.

Stacey: So were y’all planning on having kids right away or…
Kate:
Corey was! We were at El Porton one night—we had been dating for like three weeks—and it was really informal and he just looked at me and said, “Let’s have a baby right now.” I was like, “Wait a minute, we’re not even married yet. Give me two years.” Then eight months later I was pregnant. It wasn’t planned, but it was good!

Stacey: Did Corey always envision himself as a stay-at-home-dad?
Kate:
Yeah. His dad was home a lot—he was a painter too. He sort of shies away from any kind of 9 to 5 job. Which is good, because I really wanted to work. Corey is an architect, a painter, and a sculptor all rolled up into one. He’s a really great artist.

Stacey: So how do the two of you balance two kids (Oliver 2, and Polly, eight months), a band, your career, Corey’s art…
Kate:
It doesn’t leave a lot of “me time.” I generally wake up at 4:30am and go to work. I usually get home by 3:00pm, which is good. I give Corey an hour to relax when I get home. I know my job (as a World History teacher at a middle school) is stressful, but I know it’s stressful for him too. We switch roles in the summer so I have a really good feel for what it is like to be home with the kids all day. Corey paints at night, or sometimes he works at Huey’s. I never do work at home. I try to spend all my time with the kids. I have a system at work like you wouldn’t believe to get my papers graded. I’m a great teacher. I teach World History but we have fun. I incorporate music and dancing and art and different activities.

Stacey: So is being in Two Way Radio the only thing you and Corey get to do together?
Kate:
Um…yes. Corey and I really enjoy playing music together. When we play a show we get a babysitter. We practice once a week—during the day, for babysitting purposes—on Sunday for about 4 hours. The band members’ wives and girlfriends are like an extension of our family. They really help out with the kids. We try and only do gigs once every two weeks—everyone in the band is pretty busy. When the children go to bed, Corey and I practice together. Even when the kids are there, we play music together and write songs. The kids each have a piano and they play along. Oliver loves the drums, and the keyboards, and even the guitar. Polly is the one who likes the piano. She crawls over to it, pull herself up and plays for like ten minutes at a time.

Stacey: Other than playing at Shangri-La and at the Rock-n-Romp, have the kids gotten to see you play?
Kate:
I try to book as many daytime shows as possible.

Stacey: I wish there was a Rock-n-Romp every week.
Kate:
I do too!

Stacey: How does being a parent help you with the band? Does it ever get in the way?
Kate:
The biggest way that parenting helps the band definitely manifests itself in the song writing. As trite as it sounds, there is nothing more inspirational or gut-rippingly emotional than learning how to be a parent. I've got a lot of emotions to write about now.

Another way that being a mom helps... it puts things into perspective. I don't walk around thinking that I have to do all these things before "I settle down and have kids." Now, I really feel like I have all the time in the world to make and enjoy music. It put a stop to that feeling of deadline for all things artistic and youthful. I'm glad to feel responsible and needed, while maintaining a slightly subdued wild side.

It also helps me to prioritize time. Being so busy (parenting, working, marriaging, socializing) makes me really appreciate and want to create time in which I can play or write music.

Of course, though, it definitely gets in the way of scheduling and running the business aspect of the band. That part I definitely hate. People in bands know it’s hard to get four or five people together to tour, to play shows, or to even practice—because everybody has jobs and girlfriends. BUT throw the coordination of two babysitters, wives/in-laws, and the situation only worsens. Corey and I have been so lucky to have family that really want us to play music, and are so helpful with the kids while we are doing it.

Being a mom makes touring really, really difficult. I would have a hard time being away from my kids for more than a couple of days. AND, babies really weren't made for a pauper's road trip. So the verdict is still kind of out on touring.

Stacey: What advice would you give other women who are mothers and musicians?
Kate:
I would advise them to live close to their families. Oh, and it doesn't hurt to be married to the bass player.

Two Way Radio’s CD is Residential Llama. Get your copy via http://www.myspace.com/walkietalkieband

Greet Robby Grant

Greet Robby Grant by Stacey Greenberg
Photo by Bob Bayne



I’ve known Robby Grant since the sixth grade. (We also went to religious school and high school together.) We always ran in the same circles, but didn’t really get to know each other until about a year ago when I cornered him at the Children’s Museum and convinced him to help me get a Rock-n-Romp started. Now Robby and I often call on each other for favors—me more than him—and meet up for lunch downtown when we have the time. I recently sat down with him (tape recorder in hand) at the Majestic to talk about music, parenting, and the intertwining of the two.

Stacey: When did you start playing music?
Robby:
I was in 7th grade so age 12, no 13. I had piano lessons when I was really young. I sucked at sports for the most part. Music was always a part of my life. My mom had a lot of great old 45s, a lot of great records. She was a fan of music. I got to choose what I wanted to play. I chose an electric guitar. I bought one with my cousin—we split it, but he never played it.

Stacey: That was a good deal for you.
Robby:
Yeah.

Stacey: Why the electric guitar?
Robby:
It looked cool. We went in the music store and it was the coolest thing in there. It was an Electra Phoenix with a whammy bar and it cost $100. My dad was a singer and my uncle played drums. My dad passed when I was really young (5). But I saw him sing when I was really little. Once I had the guitar, I immediately formed a band in seventh grade with my friend, Tom Martin. It was just the two of us for the first two albums. I like to learn by doing so I bought a guitar, formed a band, and started recording music.

Stacey: How did you record?
Robby:
With a jambox and a tape recorder so I could multi-track. (This was all prior to being able to afford a 4 track.) It sounds a lot fancier than it was. We had skits and songs. We played at my Bar Mitzvah. We tried out for my high school talent show every year. In 10th grade we did Jimi Hendrix’s “Fire.” In eleventh grade we did “Pinball Wizard” by the Who, which probably wasn’t a smart choice since my high school had such a big hearing impaired program. (Don’t mention that.) In twelfth grade I played drums and we played “The Devil Went Down to Georgia.”

Stacey: Did you ever win?
Robby:
No.

Stacey: So how did you go from not winning talent shows to being in the very successful band, Big Ass Truck?
Robby:
It was a natural progression. We got a 4 track and did some recording with that. Then in college (The University of Memphis where Robby got a film degree) I got together with some friends (like Steve Selvidge) and started playing in a band called Thrill of Confusion. I spent a lot of time making videos too. TOC disintegrated and morphed into a band called Fester. Our drummer went away to UT (The University of Tennessee) so we never practiced. We got together and just played noise for 45 minutes when we opened up for The Simple Ones and surprisingly Jared (the lead singer) liked it. However, I wasn’t interested in pursuing a noise band at that point. Steve got five friends together to open for the Simple Ones at the Antenna in 1991 and that was basically Big Ass Truck. We had a lot of friends and hung up a lot of flyers. We played frequently—once a month for four or five years. Then did more regional shows. Then we toured the U.S. for four years.

Stacey: Where in all this did you get married and start having kids?
Robby:
Rachael and I dated as seniors in high school and have been together ever since. We got married when I was 24, so 1997. I was gone a lot during that time. I was on the road a lot. There was the whole “absence makes the heart grow fonder” thing going on. We had a lot of time to do our own things. I think that contributes to the fact that we are still married almost ten years later. Five was born while I was still touring. I missed the whole first year of his life.

Stacey: What was that like?
Robby:
I missed being there—we were really busy—but having never been a father before I didn’t know what I was missing. We were the first ones of our friends to have kids.

Stacey: Was Rachael like, “You suck?”
Robby:
Not really. I’d be home for a few weeks at a time. I could never do it now. Five is seven now and he’d have like a million questions I couldn’t answer.

Stacey: So what did you do when Big Ass Truck broke up?
Robby:
After Five was born, I started doing side work for Paul Ringger at Every CD and then later for Ringger Interactive. I took a laptop on the road and built websites while I was in the van. I didn’t have to wonder what I was going to do when we broke up. I just started going to work more. I had a desk at Paul’s house. I was always home every couple of weeks—it wasn’t like I was out of sight out of mind for very long. Paul taught me a lot and gave me a lot of books to read. We built a lot of sites together and I just learned that way.

Stacey: So Five is two, you have a day job, how do you express yourself musically at this point?
Robby:
Three or four years before Big Ass Truck broke up, I was already doing my own thing—I released two solo records, one under the name Vending Machine. It actually gave me a chance to express myself without the constraints of being in the band. You know worrying about things like are people going to like it? Is there going to be a guitar solo, etc. When it’s just me it’s like, “I like the beat, let’s record it.” I also just wanted to play guitar and not necessarily write songs, so I started playing in Mouserocket with Robert Barnett (from Big Ass Truck).

Stacey: Do you have like a whole in-house recording studio?
Robby:
I’ve recorded all my records at home. I wouldn’t call it a recording studio, but I can go up at 5:30am and record what I want. I can’t schedule a whole session with other people—that’s hard to do. I like recording early morning, but no earlier than 5:30am.

Stacey: When do you go to sleep?
Robby:
I usually go to bed at 11pm or midnight. I’ve got bags under my eyes.

Stacey: Do you do a lot of jumping up from the dinner table?
Robby:
If it hits me I capture it immediately. I literally leave the dinner table. I have a whole catalog of 20-30 second recordings. I save them until I have time to flesh them out.

Stacey: What about including Five in your music?
Robby:
The record before this, he’d scream and I’d loop it. On the last one I hit a wall a couple of times when writing a song and I’d play it for Five and say, “What does this sound like to you?” On one of the faster ones, he was like, “It sounds like cobras.” It actually inspired me to name the album King Cobras Do. He even wrote the lyrics to the Saturn National Anthem. He was sort of free associating words. I rearranged them a bit, but they’re his words. We also do a lot of recording where he’ll come up and he’ll play drums or guitar or keyboards and just make some noise on the weekends. We’ll take turns being boss. He’s a hard boss. For the past three years we’ve done a holiday song as a family and sent it out to friends.

Stacey: Is Sadie (Robby’s two-year-old) getting involved?
Robby:
She’ll bang on the drums and do her thing. She inspired a new song called “Tell me the truth and I’ll stop Teasing You.”

Stacey: How often do you play shows?
Robby:
Once every other month, but since it’s December I’ll probably play every weekend. My other band, The Glitches, has a few gigs.

Stacey: Ok, wait, you are in another band?
Robby:
I saw Jared (from the Simple Ones) at a PTA meeting—our kids go to the same school—and the school was like, “We need a band to play at the thing at the end of the year.” We hadn’t had a chance to play together so we formed the Glitches, which is a cover band, and now we’re good friends. We play a lot of the school functions and it’s fun. We’re currently looking to play private parties…you know if anyone is interested?

Stacey: So what do you do when you have a late show? Does Rachael come?
Robby:
Sadie is experiencing the terrible twos so it’s hard to find a babysitter. Rachel probably comes to every other show. But we practice at the house so she’s very aware of our set.

Stacey: Do the kids ever get to see you play other than at Rock-n-Romp?
Robby:
Yeah we did a show at the Shell and the Center for Southern Folklore. I got Sadie some big soundproof headphones so she could listen.

Stacey: So is being in three bands now somehow easier than being in Big Ass Truck was?
Robby:
Big Ass Truck was a lifestyle commitment. We practiced two times a week, we had beers after practice, we toured, etc. Now I’m more focused on end goals, like finishing a record. I have a show next week and the band has practiced for the last month so we can do several shows now.

Stacey: Do you go out and hear music very often?
Robby:
I don’t go out near as much as I used to. But with the Internet I can keep up with music via Myspace, websites, and various message boards. It’s a pretty good alternative to going out. I can get ten firsthand accounts of any show sitting at my desk.

Stacey: What are your musical ambitions at this point?
Robby:
At this point, just to keep making music. Big Ass Truck did some shows with Ben Harper and he was touring with his family. They had a separate camper. I saw him kiss his daughter goodnight before going to a show. I could see us doing that in a few years, but not quite on that scale. Rachael likes to travel. For now, music from my last two albums was featured on “The Real World” and I just released some new songs to “Pimp My Ride.” I’m interested in doing movies. I just scored (our mutual friend) Glenn Hopper’s movie—The Hanged Man.

Do you see yourself having a family band someday?
Robby:
Five takes piano lessons. I see music as a way to express myself and I hope Five has something like that. I want him to be happy and to have something that he enjoys doing forever. I might get Sadie to take cello lessons. We need someone in the family to play a classical string instrument.

Robby’s latest album is King Cobras Do. Get your copy at www.chocolateguitars.com.

Diary of an Injury: From Roller-Girl to Robo-Girl

Diary of an Injury: From Roller-Girl to Robo-Girl
Stacey Greenberg





Saturday, December 9, 2006
It’s the third and last period of my first pre-season bout. My team, the Legion of Zoom, is down by 15 points. Two of our players have been ejected. I’m trying to stay focused on winning despite being exhausted and somewhat demoralized.

As I skate around the bend, I look behind me for the opposing jammer. Out of nowhere someone blocks me hard. Before I can see who it is or even register what has happened, I hear my leg snap. As I fly off the track, I see my ankle and foot swing out from under me at a very unnatural angle. Then I am down.

"FUUUUUUUCK!" I screamed as I pounded my fist on the floor.

A half hour later I am on a stretcher heading out the door. People are standing around applauding even though I am moaning and screaming and grasping my leg, begging the EMT not to bump my foot. I am in total survival mode, like an injured animal, snapping at anyone who tries to touch me.

In the ER, the radiologist comes for me and parks my wheelchair next to the X-Ray table. “Okay,” he says, “we just have to get you up —"

"NOOOOOOOOO!" I wail, still wearing my sparkly silver mini skirt and hot pants, torn blue fishnets, and big bulky knee pads. "Please don't put me on that table. PLEASE."
He looks at his nurse and they start scrambling, trying to figure out a way to X-Ray me without moving my deformed leg.

"Is it broken?" I ask sadly.

"In a couple of places," he replies.

Strangely this makes me happy. I don’t feel like such a wuss anymore. MY LEG IS BROKEN IN TWO PLACES! Not one, but TWO. I imagine getting wheeled into a room, getting a nice little cast, some drugs, and then getting sent home ... or, better yet, to the after-party at the Young Avenue Deli. A cigarette and a beer sound really good.

The doctor informs me that I have a "pretty nasty spiral" break in my tibia and a "pretty normal" break in my fibula and that he’s pretty sure that I will need surgery. On Monday. When an orthopedist will be in.

"We can give you some pain medication and a splint and you can either go home and wait or get a room and wait," he says.

The thought of going home to my very active two-year-old and four-year-old with my broken leg is not appealing. I can’t imagine even getting myself to a toilet. I look at my mom and my husband and say, “Can I stay?”

Sunday, December 10, 2006
I wake up in a narcotic haze and am informed that I might not have to wait until Monday for surgery. Unfortunately, this also means that I can’t eat or drink anything. I haven’t eaten anything since my normal shin-splint-fighting two bananas at 5 p.m. the day before and I haven’t had anything to drink since right before the third period. I realize my only nourishment was going to come from licking off the remains of the 16-hour red lipstick that Robin-n-Stealin had put on me before the bout. (The entire time I was in the ER my mom kept saying, "That lipstick is fabulous. Your teeth look so white!")

At 5:30 p.m. someone brings me a meal tray and informs me that I have been bumped from the O.R. I can eat and drink until midnight.

I take a peek at the Salisbury steak and black-eyed peas under the pink plastic cover and immediately call my mom. I take advantage of her love for me and convince her to swing by Sekisui Pacific Rim on her way to visit me.

Monday, December 11, 2006
I am whisked away to surgery much earlier than expected, which is a nice surprise. A resident comes over to see what happened to me.

"Roller Derby," I say.

"Oh my god," she says. "My dream is to be in the roller derby."

I laugh a little and say, "Well, try-outs start tomorrow."

She thinks it over for a minute — is she looking at my leg? — and says, "I'm not sure I'd have enough time."

Somewhere along the way I fall asleep, get operated on, and then wake up with a start. "Ow!" I scream as my leg bursts into flames. The anesthesiologist rushes over, activates a nerve block, and then I am thankfully — mostly — pain free.

Tuesday, December 12, 2006
I am told that after two physical therapy sessions to learn how to use a walker, I will be sent home.

Yes, a walker.

My brother, a doctor, picks me up and I am enthusiastically greeted on the lawn by the monkeys and Warren. I hobble in to find Jill B. Nimble and Rattleskate, both of the PrissKilla Prezleys, in the dining room with a giant bucket of chicken and two kids’ meals. Derby girls from all four teams have signed up for three weeks of meal deliveries!

Wednesday, December 13, 2006
Sometime in the night, the nerve block that the anesthesiologist gave me officially wears off. I have to wake up every few hours and take some pain meds and deep breaths. When the kids get up for school, I hobble to my station on the couch and try to look happy until they leave. On his way out the door, Satchel kisses me and says, "I missed you when you were in the hospital."

Once I hear them drive off, I call the doctor's office to see if I can double up on the medicine. I spend the day napping, complaining, and watching bad pay-per-view movies. When the kids get home, Satchel asks, "Is a derby girl bringing dinner tonight?"

"Uh-huh."

"Yay! Which one?"

"Duchess de Muertas."

"Is she the one who broke your leg?" he asks.

"Well, technically she did not break my leg, but she is the one who blocked me when I was looking the other way and initiated the fall that resulted in me breaking my leg."

Satchel looks at me funny and says, “Oh.”

The Duchess and Chica Bandita, also of the PrissKilla Prezleys, soon arrive with a huge pan of lasagna, a big bag of salad, a loaf of French bread, and a video of the bout. We make some small talk and then do some reminiscing about the game.

"I've watched the video over and over and over trying to figure out what happened," The Duchess says. "It looks like your skate gets caught on the track and then your toe stop does something weird and that's it."

"Our VCR isn't hooked up, but I'll definitely take a look at it," I say. "The whole bout is kind of a blur."

"It's in the third period, seven minutes and 30 seconds in," she says as she bursts into tears.

"Oh my god, stop," I say. " I'm going to be okay."

"I feel so bad," she says. "I don't know if I can do this anymore. I'm so sorry."

"Duchess, it's roller derby. I don't blame you at all. I plan on getting back out there and you will too."

She wipes her tears and gives me a big hug and leaves looking like she has just lost her best friend. It is terrible.

But the lasagna is delicious.

Thursday, December 14, 2006
I place a few calls and by the end of the day I have a laptop and a free Netflix subscription.

Saturday, December 16, 2006
I hit an all time low. I can’t handle having the monkeys bounce around the room. I haven’t had a proper shower or bowel movement in 10 days. I call my mom in tears. She comes over with laxatives and leaves with the monkeys.

Tuesday, December 19, 2006
Warren drives me to Collierville to see my doctor. I can’t wait to get the nasty splint off of my leg. I had to resist tearing it off for a week. I imagined that once it was off, I would be good as new. Instead I freak out at the sight of my misshapen leg and end up in tears. A nice nurse takes pity on me, cleans my leg, and properly fits me for my new robo-boot.

When I get home, I discover that the monkeys love the robo-boot. “Cool!” Satchel shouts as I walk in. “Can I wear it?”

Wednesday, December 20, 2006
Our refrigerator and freezer are overflowing with derby daily meal deliveries. If that isn’t enough, Lizzie McFighter, who was first to come to my side after the accident, came by with a $100 restaurant gift card and reminds me that my first words after breaking my leg were: "I can't believe those bitches did this to me!"

Thursday, December 21, 2006
I launch the “Pimp my Walker” contest. Suggestions include rope lights, silver red and blue flames in glitter automotive paint, a boom box that plays the “Zoom, Zoom, Zoom” song, and spinners on the front wheels.

Sunday, December 24, 2006
To top off Christmas Eve at my mom’s house, I watch the video from the bout with my heart pounding. After viewing the fatal blow over and over and over and over, I come to the conclusion that my initial suspicions were correct. While my skate clearly hit the track and caused my foot to spin out at a bizarre angle, it happened after it was already broken.

“Think Santa will bring me some calcium supplements?” I ask Warren.

Saturday, December 30, 2006
We take the monkeys out for pizza and a movie. At the restaurant, a tween in a pink-and-black-striped cast speeds past me on her crutches, prompting Warren to say, "Why can't you go fast like her?" Before I can give him a dirty look, I notice an elderly woman with a walker about to pass me on the left.

Thursday, January 4, 2007
Officially done convalescing, I return to work. As I crutch my way through the parking lot and up to my office, coworkers glance at my robo-boot and casually ask,

“What happened to you?”

“Roller derby,” I say as their eyes grow wide and they wonder if I am actually telling the truth. People at work generally think of me as quiet and shy.

Tuesday, January 11, 2007
I attend the last night of Boot Camp to check out the fresh meat. Seasoned skaters were invited to attend, so about half of the league is there. I enter to cheers and applause. Before I can make it out to the rink to properly greet everyone as they stretch, I am whisked away to be interviewed by a reporter from Memphis Health & Fitness.

I smile and try to make the nice man understand why I am still interested in skating. I give my now almost automated response, "If I would have broken my leg in the championship game then maybe I'd be ready to quit. But I broke it in the pre-season. I haven't gotten the full experience yet."

While this soaks in, ignoring the pain and suffering of the last month I say, "Besides, the health benefits totally outweigh the risks."

Wednesday, January 10, 2007
My doctor says my leg looks great. She tells me to start weaning myself off of the crutches. To top things off, she gives me papers for a temporary handicap decal so I can have my fill of excellent parking spaces while learning to walk unassisted. I never thought that after becoming a derby girl — the epitome of cool — that I would not only become the owner of a walker, but of a handicapped tag!

My follow up visit is February 21st. I plan on walking in to the office, having her take one look at me and say, "Smashimi, it’s time to lace up your skates!"

Saturday, September 9, 2006

Soil Chart

Soil Chart
Stacey Greenberg



I feel like I say this everytime, but cranking this zine out is getting harder and harder! I’ve basically had it done since late May, but I’ve been so busy with Summer vacations, swimming, roller derby, blogging, and writing a near weekly food feature for the Memphis Flyer (a dream come true!) that I was never able to pin Warren down to do the cover. As I write this it still isn’t done, but I am optimistic that if I actually print this out the cover will appear in the near future. (Worst case scenario I recruit Satchel to help out!) I am considering maybe making this a biannual gig. At least for the next issue or so. Roller Derby season is from November to February and I have a feeling I’ll be in the zone.

In the meantime, really try and enjoy this issue! It’s packed full of good stuff. It starts off a little serious, but gets kind of crafty in the middle and ends with a laugh. Thanks to all of my awesome contributors for helping me keep this baby going! If you start to miss Fertile Ground in the long months between now and #15, just log on to www.fertilegroundzine.com and click on the blog link. I update several times a week and post links to my latest published writing. (On my blog you can get all of the details from our 2500 mile road trip, our weekend in St. Louis, Jiro’s near drowning at the Botanic Gardens, Satchel’s wedding cake vandalism, derby news, and more!)

As always, thanks for reading! Send me a letter, an email or a submission! I love hearing from you guys. Have a great summer!

Memphis Rock-n-Romp

Memphis Rock-n-Romp
Stacey Greenberg



In 1992 I was in front of the stage in a now defunct bar rocking out as hard as I could to my favorite local band, Neighborhood Texture Jam (NTJ). Joe Lapsley, the lead singer, had filled an inflatable mannequin with canned dog food and ripped her to shreds on stage with a chainsaw while he sang NTJ’s anthem “Don’t Get Loud With Me Bitch.” I was making eyes at the drummer, Paul Buchignani, who was sweaty and topless like most of the band. As I banged my head back and forth, I felt the greasy brown mush splatter on my face and coat my hair. It was totally disgusting and I knew Paul would never love me, but I didn’t care. I scooped a glob of dog food out of my hair and lobbed it right back on stage, just missing Joe’s big mouth.

Ah, the good ol’ days.

I don’t get too many chances to go to see live music anymore. I’m usually fast asleep by midnight when most bands are just getting started. The idea of staying up late and hanging around smoky bars just isn’t appealing now that I’ve got a two-year-old, a four-year-old, and a full-time job.

But I still like to rock, and so do my kids. My youngest is already the self-appointed family DJ. Before I can get him into his car seat, he hurls himself into the front and grabs my CD holder with his chubby little hands. With amazing agility, he crams the Ramones’ mix into the tiny slot and flings his body back into his seat before I’ve even formed the words, “Honey, get back in your seat.”

After three years of driving down Cooper to and from my kids’ school and wondering who the bands were advertised on the posters plastered all over poles that line the street, I finally said, “That’s enough!”

I had heard of a family-friendly concert series in Washington, DC showcasing local musicians and bands called Rock-n-Romp and decided that despite being completely out of touch with the local music scene, I was going to bring Rock-n-Romp to Memphis. In 2005, I started talking the idea up at the Peabody Park playground, the Children’s Museum, and other places throughout midtown to parents who I used to see in bars and clubs before we were parents.

Since Rock-n-Romp shows are held during the day in a relaxed, kid-safe environment and give parents who miss their social life a chance to get out, enjoy some music that might be new to them, and expose their kids to great bands, the concept really wasn’t a hard sell. I kept a mental checklist of the people who seemed really interested in the idea and asked them to meet me for lunch at Alice’s Urban Market in January. Not surprisingly, everybody pretty much knew everyone else from one place or another, and thankfully I had chosen people who had musical connections and big backyards. By the time we finished our sandwiches, we had a list of potential bands to solicit and plans to host three Rock-n-Romps over the next six months.

The inaugural Rock-n-Romp was held on a Saturday afternoon in Dan Harper’s backyard and featured Amy Lavere & the Tramps, Noise Choir, and DJ Colin Butler. It was 75 degrees outside and sunny. A keg of Sierra Nevada was surrounded by ice. Sixty parents mingled, danced, and spread blankets on the grass. Sixty kids in face paint and multiple tattoos ran through the yard with various musical instruments. They rocked. They romped. There wasn't a cooler place to be on April 1st.

There were lots of instruments lying around for the kids to play with. Each of the bands included the kids in their sets. Amy Lavere asked everyone to come up and moo while she sang a song about a cow and Noise Choir set up a three-foot high live microphone for kids to join in whenever they felt the urge. When the live music ended, Noise Choir left their equipment set up and gave the kids an opportunity to put on their own show. Throughout the afternoon, DJ Colin Butler played an awesome array of songs that made it nearly impossible to sit still.

I truly believe most people left wishing there could be a Rock-n-Romp every weekend. I know I did.

After the show, J.B. Horrell, the lead guitarist and master face contortionist for Noise Choir, gave me a copy of their “Sings Out” CD. My two-year-old swiped it from me and immediately started tearing the plastic wrap off as he walked towards our car’s stereo. As we drove home, I caught a glimpse of him banging his head to “Muscular Pony” in the rearview mirror. I smiled to myself and thought, “Mission accomplished.”

Knitterview

Knitterview
Stacey Greenberg




AKrylik and PolyCotN, two busy moms who couldn't find the time to finish their knitting projects came up with a crazy, organic solution. They started Knitta, a knitting graffiti crew, to tag their neighborhood with small, easy projects like antenna covers and beer cozies. I recently interviewed AKrylik for Hipmama.com to see how sometimes in balancing motherhood, work, and art we have to listen to ourselves and be brave and know when it's time to change and refocus our energies. I found that if we can just learn to do that, we may wind up with something even more amazing that what we'd started out with.

Stacey Greenberg: Tell me a little bit about Knitta:
AKrylik:
We are a group of 11 Houstonians, 10 female (PolyCotN, AKrylik, WoolFool, LoopDogg, Knotorious N.I.T., Purl Nekklas 14kt, SonOfaStitch, P-Knitty, GrannySQ and Knitiot) and 1 male (MascuKnitity), ages ranging from 22 to (possibly) 95 (actually, I'm only guessing at GrannySQ's age, so we're not entirely sure where the range ends). Four of us are moms. I have one little person. She's 10. PolyCotN has three, ages 3, 9 and 12. WoolFool has two, 9 and 5. Some of us have full time jobs out of the house. Some of us have full time jobs inside of the house (that definitely includes our one full-time mom). Some of us are students. Some of us own our own businesses. NONE of us knit full time. In fact, though we all like (are even obsessed with to a point) knitting, I think what brought us together was our creativity levels and the combined need to make this hobby a tad more edgy and stimulating. This is an interesting little side project for all of us that has developed into something really unbelievable. We only thought that we were embarking on some crazy, humorous adventure that the folks in the neighborhood would get a kick out of. Never in our wildest dreams did we guess that it would get this huge.

SG: How do you choose your targets?
AKrylik:
Sometimes we tag randomly (car antennas, door handles, stop sign poles, park benches) and sometimes we choose larger, more specific targets. The random tag nights are usually "come if you can", while we knit with a purpose for the larger targets. For one large project we did (24' scarves on two statues in Houston), we all knit piecemeal, then crocheted all the pieces together to form the giant scarves. Those were nice.

Occasionally, our targets come to us. We get requests every now and then. We'll still bomb those requested targets under cover of night, in order to retain some sense of anonymity though. Every once in a while, we knit and knit and knit for a trip out of town to spread Knitta out a little. This coming weekend, for instance, four of us went to New York City for 4 days of crazy tagging. We had an extra suitcase full of pieces that will grace the streets of New York (for at least a week or two, we hope). MascuKnitity just got back from a 3-week trip to China, where he was able to leave a little Knitta presence on the Great Wall. We still haven't figured out how we're going to top that one.

SG: What has the response been locally? Do people like getting tagged?
AKrylik:
I would say that the response to this has been overwhelmingly positive. The pieces don't stay up that long and, with the exception of a couple of items, it doesn't seem like they're being taken down and thrown away. We have folks contact us just to tell us that they took one or more to keep. It’s crazy.

SG: So how HUGE is Knitta? How many projects do you do in a week/month/whatever?
AKrylik:
As for quantity of projects, I really can't say how many tags we've thrown since we started this. Probably hundreds of antenna cozies. We covered lamp posts on three local highway bridges with 6 foot, hot pink wraps the night before New Year's Eve. We laid 24 foot scarves at the end of January. We had a big night of tagging on Valentine's and again for St. Patrick's Day. While we were in New York last weekend, some of the others tagged a portion of the Rice University campus for their annual KTRU Outdoor Show. We have plans for a big event here in mid May, then another in June. I can't even count how many times we've been out, casually distributing car antenna wraps and beer bottle cozies in the neighborhood pubs. My hands are cramped most of the time from knitting.

SG: What did you knit in NY?
AKrylik:
Oh, wow...what didn't we knit in New York! We hit Union Square Park, a couple of spots in Brooklyn, a few subway platforms, Louie Armstrong's house in Corona, Queens, Times Square, Central Park, a subway headed North into Harlem, a lamp post near the Queensborough Bridge, multiple spots around the Lower East Side, Soho, China Town and Little Italy, St. Marks Place, The Williamsburg Bridge... I really can't remember more than that. It was crazy. And it completely paid off! We were mentioned on the Weekend Update on Saturday Night Live this past weekend! It just doesn't get any better than that.

SG: On the website it says you got tired of unfinished projects so you knit a door knob cozy and that's when the idea for Knitta came to you. I want more details. Like how did you even think to do a doorknob cozy? Do you have past experience with graffiti?
AKrylik:
We were bored with the usual knitting projects and get-togethers. Personally, I get tired of a project that takes more than 2 o r 3 days to complete. I call it crafting ADHD. I had plenty-o-unfinished projects laying around my house that I'd simply become bored working on. Those projects, along with artistic tendencies and a pristine door handle on a local boutique that begged to be covered, led us to begin tagging with knitted pieces. I don't have any past experience with graffiti, myself, except for being incredibly awed by much of it. I can't speak for everyone in the group though. I think I can say, with a certain amount of confidence, that none of us have ever been full-time graffiti artists or taggers.

SG: How did you pick your crew and what is the overall dynamic like?
AKrylik:
Poly and I started this together. Initially, we though that this would only be local humor. Still, we knew that we'd need another knitter or two to help cover the area that we had envisioned. So, we just began asking a few of our closest pals that we knew were also knitters. A couple of family members joined in. We gained another member through the journalist covering us for a story last October. Now we're at 11. With what's coming up for us this summer, we may just need to find a few more members to keep us afloat!

The group dynamic is fabulous. With an age range from 22 to (possibly) 95, the ideas and reactions keep everyone constantly on their toes... and constantly laughing.

SG: Do your kids know what you're up to with Knitta? Are they involved at all?
AKrylik:
All of the Knitta offspring are aware of our ridiculous new "jobs." GrannySQ's grandson is even standing in for her in her "Crew" photo on the website. He came up with his own tag name (Cartoon Knitwork) and is learning to knit. My chica has been pondering a Knitta name for herself and claims she's ready to go through Round 2 of "How to Knit" with moms. It didn't really take the first time around. I'm not the world's greatest teacher. They just roll their eyes at us a lot. All we've said about it is that they shouldn't talk about it at school or with anyone who doesn't already know. They've been pretty good with that so far.

SG: How has Knitta affected you personally? As an artist? A woman? A mother?
AKrylik:
Personally? Its opened up a great, creative outlet for me that I didn't have before. Sure, I knitted for friends, family and craft markets. That can be satisfying, but in a different sense. You do things for friends and family to make others happy. You use your creativity in a craft market or bazaar setting, not only to make what you enjoy, but for financial satisfaction. This is just for me. This makes ME happy. It’s personal.

SG: What advice would you give to someone who is home with a newborn and thinks she doesn't have time to do anything creative?
AKrylik:
If you're staying home with the newborn, then all the little pesky chores that still have to be done around the house move right onto Dad's list of things to do, dammit! While he's washing dishes and doing last week's laundry, you're knitting.

You're supposed to sleep when they sleep, right? Yeah, right! I remember that I could NEVER seem to drift off when I should have. So throw in that movie that you've been meaning to watch for 2 weeks now and grab some yarn and a crochet hook. Get to work, man!

Instead of shopping for a blanket or crib gear, get that sewing machine down and make good use of all of the maternity clothes that you want to throw out because you're sick of looking at them! Make a "This is what I was forced to wear for 10 months" throw for the crib! You'll look back on it and be glad you put those panel pants to good use!

SG: What advice would you give to a mom with older kids?
AKrylik:
Start a knitting graffiti crew, teach your kids to knit, then let them make up their own "tag" names and hit the town with you. PolyCotN's kiddo (also GrannySQ’s grandson) decided he wanted to be involved, so he learned to knit, made up his Knitta identity (Cartoon Knitwork), and proceeded to "blanket" the neighborhood with us.

SG: How can other mamas/knittas join the movement?
AKrylik:
Knitta is only the 11 here. We started this as a play on graffiti. So, just like there are graffiti crews and artists everywhere, knitted graffiti crews should follow suit. We are Knitta, or Knitta, please! If you want to start your own knit graffiti crew, go for it. Make up your own crew name, your own tag names, and hit the streets. If you want, send us your crew information and some photos of your tags and we'll add you to what will be a "Other Knit Graffiti Crews" page on our website. (When I find the time to add another page!) We didn't invent knitting and we didn't invent graffiti. We probably weren't even the first people to wrap something in public. We just started a new little movement and gave it a category. Our name helped a little too, I think. We think it would be amazing to see crews pop up all over - just make up your own names, please. The Knittas are from the Montrose (area in Houston, where most of us live).